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Ximo Vicedo, Trombone OSRTVE/M. A. Gómez-Martínez A curious version as the Maestro Gómez Martínez wanted it as requested by Maurice Ravel himself on rehearsal before its premiere , with more than the usual glissandos.

Luciano Pavarotti, tenor

Philippe Jarousky Chamber Orchestra of Cannes/Luciano Acocela Known as the work that changed the way of making opera in the last years of Classicism, Gluck's Orfeo ed Euridice maintains in its dramatic story the original mystery of the ancient myth, emerged like all myths to explain the inexplicable, the sublime. At the height of Rationalism, Gluck's work keeps intact the mystery of the power o...

Paganini: Variations "God save the King", op. 9

G. F. Händel: 'Rinaldo', Lascia ch'io pianga - Joyce DiDonato, mezzo

G. F. Händel: 'Rinaldo', Lascia ch'io pianga - Philippe Jaroussky, countertenor

L. Boccherini, L. Berio: Musica notturna delle strade di Madrid

G. Verdi: 'La forza del destino', Sinfonia

P. Mascagni: Cavalleria rusticana Intermezzo

Rigoletto 'Vendetta'

Laschia ch'io pianga, de ''Rinaldo'' (G. F. Haendel)

Robert Schumann: Romanza para oboe y piano nº 3

Kancheli: Little daneliade

Ástor Piazzolla: Tango

Barber: Agnus Dei

Va pensiero ('Nabucco', G. Verdi)

F. Chopin: Vals Op.34/2

Purcell - Dido and Aeneas

Granados - Allegro de concierto

Andaluza